This review article discusses two films that were featured on a TV program called "Fuori Orario" – "Francisca" and "Traitè de Bave et d’Eternitè." The review provides detailed information about the plot, director, cast, and background of each film.
The first film, "Francisca," directed by Manoel de Oliveira, is described as part of a tetralogy of films about frustrated loves. The reviewer praises the film for its depth and complexity, highlighting the dark and mysterious elements of the story. The review includes quotes from the director and other critics, providing insight into the themes and intentions behind the film.
The second film, "Traitè de Bave et d’Eternitè," directed by Isidore Isou, is described as a groundbreaking work that caused a scandal at Cannes in 1951. The film is praised for its innovative approach to filmmaking, using a disjointed structure of images and sounds to create a unique viewing experience. The review also discusses the impact of the film on the avant-garde movement and its influence on future filmmakers.
Overall, the review article provides a thorough analysis of both films, highlighting their artistic merit and historical significance. It offers valuable insights for readers interested in experimental cinema and avant-garde filmmaking. Ecco una sintesi del contenuto del articolo:
Il articolo recensisce il film "A Longa Viagem de Ônibus Amarelo", diretto da Julio Bressane e Rodrigo Lima. Il film, della durata di oltre sette ore, è descritto come straordinario e senza equivalenti, che incorpora e rimonta frammenti di 58 titoli della filmografia di Bressane, creando un’opera unica e originale. Il film non è un’autobiografia ma un’opera indipendente che si nutre delle immagini preesistenti per creare qualcosa di nuovo. Viene sottolineata l’importanza della luce e del linguaggio cinematografico nel film, che invita gli spettatori a fare il proprio viaggio all’interno delle immagini proposte.
Il articolo elogia anche il film "HISTOIRE(S) DU CINÉMA" di Jean-Luc Godard, definendolo un capolavoro e una summa della ricerca del regista. La serie di film realizzata da Godard tra il 1988 e il 1998 è descritta come un progetto che ha preso forma nel corso di dieci anni e rappresenta una riflessione profonda sul cinema e sulla vita stessa. Viene evidenziata la capacità di Godard di mostrare ciò che sente e sentire ciò che mostra attraverso il cinema.
Inoltre, viene annunciata la proiezione di altri episodi del film di Bressane e di un episodio finale della serie di Godard in programmi futuri.
La recensione riflette un’apprezzamento profondo per l’originalità e la complessità di entrambi i film, elogiandone la creatività e il valore artistico. Questo film ha una durata di oltre sette ore ed è un’opera straordinaria e senza equivalenti che assimila, disloca, rimonta e organizza brani tratti da 58 titoli della filmografia del regista Julio Bressane. Non si tratta di un’autobiografia, ma piuttosto di un Atlante alla maniera di Aby Warburg, una fantasmagoria della luce e una fantasia musicale. Il film include anche riprese del lungo viaggio in auto compiuto da Bressane con Rosa Dias e Andrea Tonacci da Venezia a Katmandu, attraverso l’Afghanistan, così come le prime immagini girate da Bressane durante un viaggio con sua madre in Italia e a New York nel 1959.
Bressane stesso descrive il film come una ricerca del cinema stesso, cercando di mostrare l’invisibile che è rimasto nelle immagini cinematografiche attraverso l’organizzazione di 27 figure del linguaggio cinematografico. L’obiettivo è quello di far emergere l’inconscio ottico durante la visione, sottolineando l’importanza della luce e del film stesso come elemento primario del cinema. Questo approccio mira a evidenziare che, oltre alle storie e alle emozioni, il cinema è soprattutto una forma d’arte visiva che può attivare l’inconscio dello spettatore attraverso l’uso dell’inquadratura e del dettaglio.
In conclusione, "Il lungo viaggio dell’autobus giallo" non è solo un film, ma una creazione che si nutre delle immagini preesistenti per trasformarsi in qualcosa di nuovo e diverso, offrendo una prospettiva unica sul potere e sulla magia del cinema come mezzo espressivo e artistico. A Cinematic Journey: Exploring the Depths of "Il Lungo Viaggio"
Dive into the enigmatic world of "Il Lungo Viaggio," a film that defies traditional storytelling and invites each viewer on a personal voyage of discovery. In this cinematic masterpiece by an anonymous creator, there are no clear explanations or defined meanings. Instead, every individual is encouraged to embark on their unique journey and find their own path within the mesmerizing images on screen.
The genesis of this film dates back to 2006 when Rodrigo Lima, a longtime collaborator of the acclaimed filmmaker, began collecting footage for what would eventually become "Il Lungo Viaggio." Over the years, a treasure trove of Julio’s films, both familiar and unseen, was meticulously curated and digitized. It wasn’t until the onset of the pandemic that the team found themselves immersed in the editing process, piecing together approximately 80 hours of footage to create this visual symphony.
"Il Lungo Viaggio" is a meeting of minds, where the scientist/philosopher encounters the shaman, blending the wisdom of a "tractatus" with a raw, primal energy that invokes the spirits of Nietzsche and Antonioni, Dionysus and Aby Warburg, Hitchcock and Pessoa. It challenges viewers to ponder the essence of cinema once again, posing the eternal question, "What is cinema?" while seamlessly weaving together diverse influences and inspirations.
For those who grapple with the inexplicable and resist labeling art within the confines of conventional European rationality, "Il Lungo Viaggio" offers a radical departure. It echoes the spirit of avant-garde filmmakers like Carmelo Bene and Isidore Isou, who sought to dismantle existing paradigms and reconstruct from the ashes. In the words of Nietzsche, "I am not a man, I am dynamite," a sentiment that resonates through Bressane’s explosive narrative akin to Godard’s "Pierrot le Fou."
As you delve into this cinematic odyssey, prepare to be challenged, provoked, and ultimately, transformed by the surreal beauty and intellectual depth of "Il Lungo Viaggio."
Conclusion
"Il Lungo Viaggio" is not just a film; it’s an experience, a journey into the unknown realms of art and philosophy. It pushes boundaries, defies conventions, and challenges viewers to rethink the very essence of cinema. With its rich tapestry of influences and avant-garde sensibilities, this film stands as a testament to the power of visual storytelling to transcend the ordinary and provoke the extraordinary.
Frequently Asked Questions
- **What makes "Il Lungo Viaggio" unique among other films?
- "Il Lungo Viaggio" stands out for its unconventional narrative style, abstract imagery, and profound philosophical underpinnings that invite viewers to interpret and engage with the film on a personal level.
- **How does the film blend different influences and inspirations?
- The film seamlessly integrates diverse influences ranging from Nietzsche to Antonioni, creating a tapestry of ideas that challenge traditional notions of cinema and storytelling.
- **What role does the pandemic play in the creation of "Il Lungo Viaggio"?
- The pandemic served as a catalyst for the editing process, allowing the filmmakers to delve deep into the archives and unearth hidden gems that would shape the final cut of the film.
- **Who is the mysterious creator behind "Il Lungo Viaggio"?
- The film is attributed to an anonymous artist, adding an air of mystery and intrigue to the already enigmatic narrative.
- **How does "Il Lungo Viaggio" compare to other avant-garde films?
- The film shares thematic similarities with works by avant-garde filmmakers such as Carmelo Bene and Isidore Isou, who sought to challenge traditional storytelling and push the boundaries of artistic expression.
- **What is the central theme of "Il Lungo Viaggio"?
- The film explores the essence of cinema, posing existential questions about the nature of art, reality, and perception in a visually striking and intellectually stimulating manner.
- **How does "Il Lungo Viaggio" engage with its audience?
- The film encourages viewers to embark on a personal journey of interpretation, inviting them to find their own meaning within the intricate tapestry of images and ideas presented on screen.
- **What makes the collaboration between Rodrigo Lima and the filmmaker significant?
- The long-standing partnership between Rodrigo Lima and the filmmaker underscores a shared vision and commitment to pushing the boundaries of visual storytelling, culminating in the creation of "Il Lungo Viaggio."
- **What emotions does "Il Lungo Viaggio" evoke in its audience?
- The film elicits a wide range of emotions, from awe and wonder to contemplation and introspection, as viewers are swept away by the surreal beauty and intellectual depth of the narrative.
- **How does "Il Lungo Viaggio" challenge traditional cinematic norms?
- By eschewing conventional storytelling techniques and embracing avant-garde sensibilities, the film challenges viewers to rethink their preconceptions about cinema, art, and the nature of reality.
Tags: Il Lungo Viaggio, Cinema, Avant-Garde, Visual Storytelling, Philosophy, Rodrigo Lima, Aby Warburg, Nietzsche "Riveting New Thriller Series Takes Viewers on a Tense and Suspenseful Ride"
The article praises the new thriller series for its gripping storyline, intense performances, and suspenseful atmosphere. It highlights the strong chemistry between the lead actors and the unpredictable plot twists that keep viewers on the edge of their seats.
The reviewer commends the series for its high production values, including stunning cinematography and a haunting soundtrack that adds to the overall tension. They also note the intricate character development and the way the show delves into complex moral dilemmas, making it more than just a typical thriller.
Overall, the reviewer highly recommends the series to fans of suspenseful dramas, describing it as a must-watch for anyone looking for a thrilling and captivating viewing experience.
- By eschewing conventional storytelling techniques and embracing avant-garde sensibilities, the film challenges viewers to rethink their preconceptions about cinema, art, and the nature of reality.