Movie Review: Kino – Gilde in Brussels
On Tuesday, the AG Kino – Gilde chairman and CICAE president Christian Bräuer, along with the CICAE managing director Sebastian Naumann, visited Brussels to advocate for cinema interests at the EU level.
The day included a meeting with the European Audiovisual Observatory, where the international arthouse cinema association CICAE is represented on the advisory board. There were also two meetings with the Vice-Chairs of the Cultural Committee in the European Parliament. Bogdan Zdrojewski, former Minister of Culture in Poland, represents the Conservative faction in the Parliament, while Emma Rafowicz represents the French Left. With committees forming and the Commission in place, building new relationships is crucial.
For cinemas, the focus is on maintaining visibility as part of the audiovisual sector amidst the growing emphasis on digital services. Preserving territorial film distribution and strengthening Europe Cinemas are key concerns for the AG Kino – Gilde. Discussions are ongoing regarding the Commission’s responsibilities.
During the visit, CICAE highlighted their signature campaign supporting democracy, equality, and dialogue, presenting Emma Rafowicz with the joint statement from cinemas.
Image: Christian Bräuer, Emma Rafowicz, Marlena Gabryszewska (Polish arthouse network), Sebastian Naumann
FAQs
1. What were the main objectives of the visit to Brussels?
The main objectives of the visit to Brussels were to advocate for cinema interests at the EU level, maintain visibility in the audiovisual sector, and build new relationships with key stakeholders.
2. Who were the key personalities met during the visit?
Key personalities met during the visit included Christian Bräuer, Sebastian Naumann, Bogdan Zdrojewski, and Emma Rafowicz, among others.
3. What are the central concerns of the AG Kino – Gilde regarding the audiovisual sector?
The AG Kino – Gilde is focused on maintaining territorial film distribution and strengthening Europe Cinemas in the face of increasing digital services.
4. What campaign did CICAE highlight during the visit?
CICAE highlighted their signature campaign supporting democracy, equality, and dialogue during the visit.
5. How is the European Audiovisual Observatory involved in the discussions?
The European Audiovisual Observatory, where CICAE is represented on the advisory board, plays a crucial role in the discussions around cinema interests at the EU level.
6. What is the significance of Emma Rafowicz’s representation in the discussions?
Emma Rafowicz’s representation as a member of the French Left brings diverse perspectives to the discussions on cinema interests in Brussels.
7. How are the committees and the Commission shaping the future of cinema interests in the EU?
With committees forming and the Commission taking shape, the future of cinema interests in the EU hinges on building strong relationships and advocating for the sector’s visibility.
8. What collaborative efforts were undertaken during the visit?
Collaborative efforts during the visit included discussions with key stakeholders, presenting joint statements, and advocating for cinema interests collectively.
9. How do cinemas aim to differentiate themselves in the digital age?
Cinemas aim to differentiate themselves by emphasizing the importance of territorial film distribution and the unique experience they offer compared to digital services.
10. What are the key takeaways from the visit to Brussels?
The key takeaways from the visit to Brussels include the importance of maintaining visibility for cinemas, building strong relationships with EU stakeholders, and advocating for the sector’s interests in a digital-centric landscape.
Tags
AG Kino – Gilde, CICAE, cinema, EU, Brussels, audiovisual sector, Europe Cinemas